Has it ever occurred to you that I have agreed to look after the Overlook Hotel
until May the first! Does it matter to you – at all –
that the owners have placed their complete confidence and trust in me, and that
I have signed a letter of agreement, a contract,
in which I have accepted that responsibility?
Do you have the slightest idea what a ‘moral and ethical principal’ is?!
– Jack Torrance ranting to his wife
when she suggests they take their strangled child to a doctor
in Stanley Kubrick’s The Shining
In Part 3 I set out three essentials of the Sintashta culture, noting that the fourth essential was difficult to ascertain. I said how Mitra (of the Indo-Europeans’ Mitra-Varuna pairing) was a god of contracts, and that, despite that this identification was made by a prominent scholar, Wikipedia’s article (based on a questionable source) dismissed it. This entry will try to show how this culture developed according to the sublimation of the cultures that the Aryans invaded. For brevity, I’ll focus on three civilizations – The ancient city of Ebla, Classical Greece, and the British Isles of the “Dark” Ages.
In Part 2 of this series I discussed Ebla as one of the first civilizations that Indo-Europeans (in this case, Hittites) destroyed1. I noted the subsequent disappearance of (and confusions surrounding) the two most important Ebla male gods, gods of an Anatolian city that had an advanced culture before the Aryan invasion. I’ve mentioned Ebla a couple times on this blog, and I think it has much to say about the pre-Arian-dominated cultures of the world. One of these entries discussed the importance of twin gods in this city. Ebla’s pantheon “included pairs of deities [that] can be separated into three genres,” and an important pair, a set that was shared in most societies, was of morning and evening perspectives of Venus. In Ebla, Shahar was the morning, and Shalim, the evening star.2 One of Ebla’s oldest myths (really, a description of a ritual,) involved Inara – a version of Shahar. Here, she assists the god, Teshub (a manifestation of “father” time,) in defeating a monster that turns out to be an incarnation of “himself.” After a more aggressive tribe conquered the city, its literature replaces her with a more selfish version, Inanna (Shalim, later called Ishtar.) Inanna, however, meets her match in a goddess of the underworld, named Ereshkigal. Inanna’s servant revives her and releases her from Ereshkigal’s prison, but the escapee needs to find a replacement for herself to secure her freedom. She finds one in her consort, Tammuz, whom she discovers, after her return, amusing himself with slave girls. Luckily for him, his sister, Gestinanna3, not only endures torture to help him evade capture, but when he is caught, agrees to spend half of the year in the underworld with Ereshkigal while he is allowed to spend that time with the repentant Inanna.
My “go-to” for myths as astronomical narratives (Cogniarchae, with the caveats I mention earlier in this series) can help unravel the meaning of this story and its characters. I learned from this website that the sun crosses the Milky Way – which he identified as the river that crosses to the other world (Styx) – at the Spring & Fall Equinoxes. Orion, as the first constellation of this “river,” is the psychopomp that guides souls through this crossing. This guiding is the function of many gods in ancient myth, among them, Mercury. Thus, stories of gods and goddesses of the underworld – and the unconscious, such as the wine god, Dionysus – often refer to this constellation. Since Virgo disappears in the fall and reappears in the spring (around Easter,) goddesses of the dawn (or its harbinger, the morning star,) are often represented by Virgo (astrologically “ruled” by Mercury,) and most of these goddesses have names, such as Ishtar, with the same root as Easter. However, as with Inanna/Ishtar, there is more complex dynamic involved. Remember that there are other godly “twins” in the Eblan culture, and this duplicity is also true of the ancient Greeks.
In a well-known myth, Zeus takes the form of a swan to seduce Leda. Leda then bears four children – Castor & Pollux (a/k/a “the Dioscuri,”) Helen of Troy (who “started” the Trojan war when Paris took her from her husband, Menelaus), and Clytemnestra. Two of these children are mortal, and two immortal. One of them, Clytemnestra, has her lover help her kill her husband. Interestingly, the mother of Diana and Apollo, the other famous twins in Greek mythology, was named “Leto.” We’ve shown on this blog that two stories involving this pair are intimately related to astronomy, and that one of these stories features Apollo’s need to keep Diana from loving another man. In contrast to the pair that represent “jealousy,” the Dioscuri demonstrate true brotherly love when the mortal Castor dies and his brother, Pollux, shares his immortality – like Gestinanna, he inhabits the underworld for half a year and Castor, like Ereshkigal, lives in the heavens during that time. It is well known that the Dioscuri represent the constellation, Gemini (also “ruled” by Mercury.) If we look at the symbol for this astrological sign below, it suggests affection (We can see it as two people with their arms on each others’ shoulders.)
I would propose that Diana and Apollo represent the constellation, Pisces, whose symbol suggests a pair struggling to free themselves from, yet bound (contracted?) to, one another:
This entry is getting long, so, despite there being further interesting Greek connections to discuss, as well as the Celtic discussion I promised, I’ll only mention one more thing for now – The “Age of Pisces” started with the birth of Jesus, a name that, along with Isis, is derived from this constellation’s name.
1 The first, apparently, was the Cucuteni–Trypillia culture – but that’s for another entry.
2 Stieglitz, Robert R. (2002a). “Divine Pairs in the Ebla Pantheon”. In Gordon, Cyrus Herzl; Rendsburg, Gary (eds.). Eblaitica: Essays on the Ebla Archives and Eblaite Language. Vol. 4. Eisenbrauns. ISBN 978-1-57506-060-6.
3 The Wikipedia page about this goddess follows almost every claim about her character with a counterclaim. It follows almost each counterclaim, (as of 12/29/23, 6:27), with reference to a “Nicole Brisch.” The page also references Brisch to undermine that Geshtianna was the one who replaced her brother in the underworld for half a year. Although pages of results appeared when I searched Wikipedia for this reference, she has no entry of her own. It seems that she is closely linked to John D. Rockefeller Jr.’s “Oriental Institute,” part of his father’s University of Chicago. A book with her contributions put out by a controversial publisher, itself owned by a business intelligence firm, calls her an “independent scholar” from the University of Michigan.
I should also note here that a reference, to a “Daniel Schwemer,” that the goddess is only included in some texts because she was “the personal deity of one of the authors,” leads to a German text which cannot be translated by Google.
A third reference is to a “Diana Katz”, (Self-published author of? Contributor to?) a Library of Oriental Texts, the original series having been published under what appears to be a Nazi title. (When I first Googled it, the third result down was to “A New Library of Oriental Texts Die Inschriften der …The University of Chicago Press: Journals: https://www.journals.uchicago.edu › doi › abs by DD Luckenbill · 1927. Today (12/31/23, 7:40am EST) it is the fifth down. I saved a PDF of these results in case the 1927 reference is pushed even lower. For now, the first result is to Brill Publishers, a Dutch company. Although their Wikipedia article has many qualifying claims, it is clear that it had cooperated with the Nazis. I also saved a PDF of the Wiki pages that mention this cooperation in case these pages get edited.
I’d encourage any of my readers with a stronger stomach than I have to look deeper into these resources. – Viola
4 Feliu, Lluís (2003). The God Dagan in Bronze Age Syria. Translated by Watson, Wilfred G.E. Brill. ISBN 978-90-04-13158-3.